MoritzLaßmann | Composer

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Works | Arrangements

List of works as PDF

Selection:

  • Ich hebe meine Augen auf (2025) – (psalm 121) for mezzo-soprano and organ (dedicated to Carsten Ehret-Pyka) (premiere: tba, Leichningen/GERMANY, Ruth Katharina Peeck, mezzo-soprano – Carsten Ehret-Pyka, orgel) – supported by the GEMA scholarship 2021/22 – in progress

  • New work (2025) – for organ solo – in progress

  • New Work (2025) – for large wind ensemble – in progress

  • New work (2024) – for tuba and ensemble (dedicated to Sinan Merdan) – in progress

  • New work (2024) – für piano quintet (commissioned by Regine Friederich) – in Arbeit

  • Die Fliege (2024) – (the fly) for voice and piano (premiere: October 19th, 2024, Tübingen/GERMANY, Julian Clement, Bariton – Sebastian Fuß, Klavier) | ca. 2'00''

  • Three viola quartets (2024) - for pupils (commissioned by the Ettlingen Music School) (premiere: October 20th, 2024, Ettlingen/GERMANY, pupils of the Ettlingen Music School) | ca. 4'00''

  • Hölderlin-Liederzyklus (2023) – for voice and piano (commissioned work by the Tübinger Kammermusikfreunde e.V.) (1. An Zimmern [1], 2. An eine Rose, 3. Lebenslauf, 4. Ehemals und jetzt, 5. Freundschaft, 6. Das Angenehme dieser Welt ...) (premiere: October 19 th, 2024, Tübingen/GERMANY, Julian Clement, baritone – Sebastian Fuß, piano) | 14'00''

  • Im Bann (2024) – for ensemble (commissioned by Herrenhaus Edenkoben) (premiere: September, 15th, 2024, Herrenhaus Edenkoben/GERMANY, Internationale Ensemble Modern Akademie, Raimonda Skabeikaite) (dedicated to Markus Hechtle and Wolfgang Rihm) | ca. 9'00''

  • Mat beschte Gréiss (2024) – for two violins (dedicated to Irénie) | ca. 1'30''

  • The Core (2024) – for fixed media – Music for the exhibition "The Core" by Habima Fuchs (UA: 26. Mai 2024, Edenkoben/GERMANY) – 13'17''

  • Intermezzo (2023) – for soprano saxophone (ad lib.), string quartet and organ (ad lib.) – ca. 3'00''

  • ... und so fort ... (2023) – for two bass clarinets (dedicated to Duo Stump-Linshalm, El Lukijanov and Diana Čemerytė) (premiere: June 7th, 2024, Duo Stump-Linshalm) – ca. 1'30''

  • Waltz (2023) – for plucked string orchestra (commissioned by the Landeszupforchester NRW) (premiere: May 10th, 2024, Wirges/GERMANY, Landeszupforchester Nordrhein-Westfalen, Christian Wernicke) – ca. 4'00''

  • The Neverending Story (2023) – incidental music (premiere: June 3rd, 2023, Schimmeldewog/GERMANY, Schimmeldewog Elementary School, Symphonic Wind Orchestra of the ÜWG, Sebastian Schertel) (Opening Part I, Opening Part II, Song of Dame Eyola [Song; Text: Michael Ende], Es ist da [Song; Text: Danilo Fioriti], Battle theme, The Water of Life, Perilin the Night Forest, Hope theme, Grief theme, Schlamoofs) | ca. 20'00'' | score

  • Spot (2023) – für Streichorchester (publisches by EDITION49) | ca. 3'30''

  • Spot (2023) – for mandolin orchestra (commissioned work by Mandolinenorchesters Ettlingen) (puplished by EDITION49) | ca 3'30''

  • Wedding March (2022) – for trumpet (or another instrument) and organ (dedicated to Meike and Eric Wagner) | ca. 3'00''

  • Pareidolie (2022) - for string orchestra - supported by the GEMA scholarship 2021/22

  • Pareidolia (2022) - for saxophone quartet - supported by the GEMA scholarship 2021/22 (premiere: November 29st, 2023, Conservatoir de Luxembourg/LUXEMBOURG, Quatuor de Saxophones de Luxembourg)

  • Moritat (2022) - (based on a ballad by Georg Britting) for bass and piano (dedicated to Zihao Lin) (premiere: January 21st, 2022, University of Music, Karlsruhe/GERMANY, Liangliang Zhao, voice - Zihao Lin, piano) | ca. 3'30''

  • Wolfgang Rihm_70 (2021) - for large ensemble (premiere: April 22nd, 2022, University of Music, Karlsruhe/GERMANY, Ensemble for New Music, Susanne Blumentahl, conductor) | ca. 0'30''

  • Pareidolie (2021) - for woodwind quintet (commissioned work by the Kulturkreis der deutschen Wirtschaft im BDI e. V.) (premiere: Oktober, 9th, 2021, Haus des Rundkunks, Berlin/GERMANY, Pacific Quintet) | ca. 10'00''

  • Concerto for saxophone(s) and chamber orchestra (2021) - (premiere: September 25th, 2021, Wohnstift, Rüppurr/Karlsruhe/GERMANY, Regina Reiter, saxophone(s), Junge Philharmonie Karlsruhe, Jasper Lecon, conductor) | ca. 15'00''

  • Traumgesicht (2021) - for large orchestra (premiere: September 3rd, 2021, Aula des Heinz H. Engler-Forums, Biberach/GERMANY, Studentisches Orchester Baden-Württemberg, Jonathan Föll) | ca. 10'00''

  • Two Canons (2021) - for two or three voices (based on a motet by Johann Christoph Bach) (commissioned by the Freundeskreise of the University of Music Karlsruhe/GERMANY) (premie: November 22nd, 2021, University of Music Karlsruhe, Marine Gerhardine Iguchi, soprano and Maine Takeda, mezzo-soprano) | ca. 3'00''

  • Mortimer und die verschwundenen Dinge (2021) - a short film by Robert Scheffner (recorded 27th and 28th April 2021, Orchestra of the Univeristy of Music, Karlsruhe, conductor, Jasper Lecon, sound mixer, Lennart Scheuren, Wolfgang-Rihm-Forum, Karlsruhe/GERMANY) | ca. 12'00''

  • Stille (2021) - (based on the poem "Meeresstille" by Johann Wolfgang von Goethe) for voice and piano (dedicated to Zihao Lin) (premiere: February 10th, 2021, Velte-Saal, HfM Karlsruhe, Louise Lotte Edler, mezzo-soprano, Zihao Lin, piano) | ca. 3'30'' | video | score

  • Du bist mein (2020) - for string septet (premiere: December 7th, 2020, Wolfgang-Rihm-Forum, University of Music Karlsruhe/GERMANY, Ensemble für Neue Musik der Hochschule für Musik Karlsruhe, Mindaugas Piečaitis) | ca. 4'30'' | video | score

  • Brise (2020) - for large ensemble (premiere: December 7th, 2020, Wolfgang-Rihm-Forum, Hochschule für Musik Karlsruhe/GERMANY, Ensemble für Neue Musik der Hochschule für Musik Karlsruhe, Mindaugas Piečaitis) | ca. 3'00'' | video | score

  • Mimikry (2020) - for large ensemble (premiere: December 7th, 2020, Wolfgang-Rihm-Forum, Hochschule für Musik Karlsruhe/GERMANY, Ensemble für Neue Musik der Hochschule für Musik Karlsruhe, Mindaugas Piečaitis) | ca. 3'30'' | audio | video | score

  • 'Hope' Is The Thing With Feathers (2020) - (based on a poem by Emily Dickinson) for soprano and twelve violoncellos (commissioned work by Regine Friederich) (premiere: June 13th, 2021, Friedenskirche Ludwigsburg/GERMANY, Elena Müller, soprano, cello ensemble of the Jugensmusikschule Ludwigsburg, Regine Friederich, conducting) | ca. 6'00''

  • Du bist mein (2020) - (based on the motet "Fürchte dich nicht" by Johann Christoph Bach) for for vocal ensemble (SMezATBarB) (dedicated to the Schola Heidelberg) (premiere: October 19th, 2023, Catedrala Sfântul Gheorghe, Timișoara/ROMANIA, AuditivVokal Dresden, Olaf Katzer) | ca. 4'30'' | commentary | score

  • Mimikry (2020) - for soprano saxophone solo and piano (dedicated to the ensemble TEMA) (premiere: October 23rd, 2020, Stadtkirche, Karlsruhe/GERMANY, Ensemble TEMA) | ca. 3'30'' | score

  • Mutations (2012/20) - (two miniatures) for accordion solo (premiere: May 9th, 2020, YouTube, Martina Jembrišak, accordion) | ca. 3'00''

  • Fantasia Strisciante (2020) - for harpsichord solo (dedicated to Katharina Brendler) (premiere: July 2nd, 2020, HMDK, Stuttgart/GERMANY, Katharina Brendler, harpsichord); also available for piano solo (premiere: December 7th, 2020, Wolfgang-Rihm-Forum, Hochschule für Musik Karlsruhe, Haosi Howard Chen, piano) | ca. 5'00'' | score

  • Das Angenehme dieser Welt ... (2020) - for voice and piano - based on a poem by Friedrich Hölderlin (premiere: December 7th, 2020, University of Music Karlsruhe/GERMANY, Louise Lotte Edler, mezzo-soprano, Matteo Weber, piano) 1st prize at the Hölderlin Composition Competition of the Literarische Gesellschaft Karlsruhe/GERMANY | ca. 3'00'' | video

  • Kleines Getriebe (2019) - for small ensemble (premiere: October 25th, 2019, Alter Schlachthof - Substage Café, Karlsruhe/GERMANY, Ensemble TEMA) | ca. 5'00'' | commentary | score

  • Tiento (2019) - for piano solo (dedicated to Sophia Heidecker) - (premiere: University of Music Karlsruhe/GERMANY) | score

  • Verwandlung (2018) - for organ solo (premier: July 3rd, 2020, Evangelische Kirche Leichlingen/GERMANY, Carsten Ehret, Organ) | ca. 7'00'' | commentary | score

  • Cornell und der Toaster (2009/18) - Suite for orchestra (premiere: October 20th, 2018, Paul-Hindemith-Saal, Hanau/GERMANY, Rheingauer Film-Symphoniker, Jonathan Granzow, conductor) | ca. 7'00''

  • Getriebe (2018) - (2nd version, +tuba, +bass [flute II, clarinet amd trombone also available]) for ensemble (dedicated to the musicians of the International Ensemble Modern Academy 2017/18) (premiere: December 7th, 2018, Wolfgang-Rihm-Forum, HFM Karlsruhe/GERMANY, Ensemble of the University of Music Karlsruhe, Mindaugas Piecaitis, conductor) | ca. 5'00'' | commentary | score

  • Getriebe (2018) - for ensemble (dedicated to the musicians of the International Ensemble Modern Academy 2017/18) (premiere: June 13th, 2018, Wolfgang-Rihm-Forum, HFM Karlsruhe/GERMANY, International Ensemble Modern Akademy, Lautaro Mura Fuentealba, conductor) | ca. 5'00''

  • Verwandlung (2018) - for instrument and continuo (premiere: January 18th, 2018, State Art Gallery, Karlsrhe/GERMANY, Nora Raber, horn, Jakob Raab, piano) | ca. 6'00'' | commentary | score

  • Mélange (2017) - for orchestra (commissioned work by the VHS-Orchesters Karlsruhe/GERMANY) (premiere: February 25th, 2018, Karlsruhe/GERMANY, VHS-Orchester Karlsruhe, Jasper Lecon, conductor) | ca. 10'00''

  • Bleib bei uns (2017) - for mixed chorus (SSATB) - from Luke 24:29, Luther | ca. 4'00'' | score

  • Hymn (2017) - for brass quintet | ca. 4'00''

  • Epigram (2017) - for horn solo | ca. 1'00''

  • Hymn (2017) - for accordion orchestra, dedicated to the Akkordeonclub Ober-Mumbach, soon published at Jetelina Musikverlag | ca. 4'00''

  • Epigrams (2017) - for viola solo (Commissioned work for Georg Domsel) (premiere: June 28th, 2017, Wolfgang-Rihm-Forum/University of Music, Karlsruhe/GERMANY, Christina Strîmbeanu, viola/premiere: December 7th, 2018, Wolfgang-Rihm-Forum/University of Music Karlsruhe/GERMANY, Andreas Schmalhofer, violoncello) | ca. 7'00'' | commentary | score

  • Ars longa, vita brevis (2017) - for mixed chorus (SSATB) - according to an aphorism by Hyppocrates | ca. 4'30'' | score

  • The Night (2017) - for mixed chorus (SATB) | ca. 2'30'' | score

  • Nothing is predictable (2016) - for orchestra (based on a theme by Dr. Andreas Schulz) (commisioned work by Dr. Andreas Schulz) (premiere: October 20th, 2018, Paul-Hindemith-Saal, Hanau/GERMANY, Rheingauer Film-Symphoniker, Jonathan Granzow, conductor) | ca. 10'00'' | score

  • Toccata (2016) - for harpsichord solo (1st version: premiere: October 22nd, 2016, Velte-Saal/HfM, Karlsruhe/GERMANY, Kristian Nyquist, harpsichord; 2nd version: premiere: December 9th, 2016, MUTprobe I/HfM Karlsruhe/GERMANY, Katharina Brendler, harpsichord); also for piano solo (premiere: December 8th, 2017, MUTprobe I/HfM Karlsruhe/GERMANY, Franz Ferdinand August Rieks, piano) | score

  • Trinität (2016) - for barock ensemble (recorder (alto), 2 violins and continuo) (premiere: June 25th, 2016, Fränkisches Freilandmuseum - Spitalkirche [Haus 125], Bad Windsheim/GERMANY, Barockensemble Più Mosso) dedicated to the Barockensemble Più Mosso | ca. 3'10'' | score

  • Orbs (2016) - three images for ensemble (premiere: June 10th, 2016, Badisches Staatstheater - Insel, Karlsruhe/GERMANY, Members of the Badische Staatskappelle, Ulrich Wagner, conductor) | ca. 10'00'' | score

  • Groteske 2.0 (2016) - for orchestra | 2'10''

  • Passacaglia (2016) - for orchestra (commissioned work by the Beethoven-Orchester Hessen, premiere: February 19th, 2015, Fürstensaal, Fulda/GERMANY, Beethoven-Orchester Hessen, Damian Ibn Salem, conductor) | ca. 8'00'' | video | score

  • Dunkle Farben (2013/15) - (dark colours) for ensemble (englhrn., bsn., perc., pno., vla., vlc., db.) (premiere: January 20th, 2016, University of Music Karlsruhe/GERMANY, students of the University of Music Karlsruhe, Tobias Drewelius, conductor) | ca. 6'10''

  • 4 Miniatures (2015) - for clarinet solo | ca. 3'30'' | video

  • Une Pensée (2015) - Miniature for flute or soprano saxophone solo | ca. 0'36''

  • Groteske (2015) - for alto saxophone and orchestra (premiere: November 22nd 2015, Saalbau, Homburg/Saar/Germany, Guy Goethals - alto saxophone, Sinfonic Orchestera Homburg, Jonathan Kaell), 3rd Prize and Audience Award at the 4th international Composition Competition of the Cty of Homburg/Saar , also available with a piano reduction | ca. 2'10'' | score

  • Praeludium (2012/15) - for brass quintet | ca. 3'50''

  • Fantasiestück (2015) - for piano solo | ca. 1'00'' (premiere: March 31st, 2017, Kreisgymnasium, Riedlingen/GERMANY, Katharina Brendler - piano)

  • Miniatures (2015) - (5 Miniatures) for bassoon or bass clarinet solo, for bass clarinet published at Friedrich Hofmeister Musikverlag, for bassoon solo in 2018 (premiere: May 28th, 2015, University of Music Karlsruhe/GERMANY, Kylie Nesbit - bassoon; and May 15t 2015, Klangraum 61, Düsseldorf/GERMANY, Didier Jacquin - bass clarinet) | ca. 6'00'' | score

  • Trifle (2015) - for bassoon solo, dedicated to Davon Yasamune Toyotomi (premiere: May 9th 2015, Presbyterian Church of Upper Montclair, New Jersey/USA, Davon Yasamune Toyotomi - bassoon), dedicated to Davon Yasamune Toyotomi | ca. 1'00''

  • Collage (2014) - Study | 4'43'' | audio

  • Sostenuto (2014) - for violoncello or viola solo, Doris Prochnau in memoriam (premiere: May 9th, 2014, KunstKulturKirche Allerheiligen Frankfurt/GERMANY, Cornelius Hummel - violoncello) (premiere: April 7th, 2014, Dr. Hoch's Conservatory, Frankfurt/GERMANY, Moritz Laßmann - viola) | ca. 5'00'' - 10'00'' | video | commentary | score

  • Medium (2014) - 2. version, for violin and grand piano, dedicated to Martin Rothe | ca. 5'00'' | score

  • Santa Claus Is Coming To Town (2013) - a short film by Robert Scheffner, recorded by Scheuren und Töhne | ca. 5'00'' | audio

  • Medium (2013) - for violine and grand piano,  dedicated to Martin Rothe (premiere: October 31st, 2013, Dr. Hoch's Conservatory, Frankfurt/GERMANY, Marin Rothe - violin, Karen Tanaka - grand piano) | ca. 6'30'' | commentary | score

  • Death of a star (2012/2013) - Concerto for bass trombone and Orchestra, dedicated to Gergö Nagy (premiere: May 25th, 2013, Dr. Hoch's Conservatory, Frankfurt/GERMANY, Gergö Nagy - bass trombone, Philharmonische Verein Frankfurt, Armin Rothermel - condutor) | ca. 24'00'' | video | commentary | score

  • Howl (2013) - Melodram setting of a poem by Allen Ginsberg for speaker, oboe/english horn, bassoon, percussion, grand piano, viola, violoncello and double bass, recorded by Max Sauer, Lennart Scheuren and Denis Elmagi; (2nd version 2018) (premiere: December 7th, 2020, Wolfgang-Rihm-Forum, Hochschule für Musik Karlsruhe/GERMANY, Fabian Grimm, Ensemble for New Music of the University of Music Karlsruhe, Haosi Howard Chen) | (1st version) ca. 12'00'' | (2nd version) ca. 8'00'' | audio | commentary | score

  • Trimbelten (2012) - a short film by Sebastian Kühn, recorded by ESS-Audio | ca. 7'00'' | info

  • Holz (2012) - for two violoncellos, commissioned work by Norbert Findling (premiere: August 24th, 2012, Galerie Zement Frankfurt/GERMANY, Johanna Findling and Xenia Watson - violoncellos) [also available for two violas (premiere: October 4th, 2012, Dr. Hoch's Conservatory, Frankfurt/GERMANY, Merle Nerger and Moritz Laßmann - violas)] | ca. 4'00'' | audio | video | score

  • Threnos (2012) - für Viola solo, Axel Gliesche gewidmet (UA: 28. September 2012, Axel Gliesche - Viola) (auch für Violoncello solo, Johanna Findling gewidmet) | ca. 4'00'' | audio | video

  • The Moment (2012) - a short film by Marc Schiemann and Steven Dwayne Fingers,recorded by Filmharmonie Frankfurt | ca. 7'00'' | video

  • Am See (2012) - (On the lake) setting of a text by "Chuchu" for baritone and grand piano, dedicated to Christian Kling | ca. 5'00''

  • Mutationes (2012) - for baritone saxophone and accordeon, dedicated to Markus Hoßner and Mirjana Petercol (premiere: March 23th 2012, KunstKulturKirche Allerheiligen Frankfurt, Markus Hoßner - baritone saxophone, Mirjana Petercol - accordeon) | ca. 15'00''

  • In die Ferne (2011) - Hommage à Giacinto Scelsi, for ensemble (premiere: October 7th 2011, Dr. Hoch's Conservatory, Ensemble of Dr. Hoch's Conservatory, Claus Kühnl), 1th prize at the "call for scores" competition by the BGSU New Music Ensembles 2014/15, Ohio | ca. 7'00'' | audio | video | commentary | score

  • Duos für zwei Violen (2011) - (Duos for two violas) dedicated to Monica Brecht (premiere: 2011, several times) (also for two violins) | ca. 15'00'' | commentary | score

  • Concerto for trombone and orchestra (2010/11) - dedicated to Nicor Lengert | ca. 24'00''

  • Pirate Squirrels (2011) - a short film by Stefan Daniel Voigt | ca. 3'00''

  • Interview mit Bach (2011) - (Interview with Bach) for alto flute and bass clarinet,  dedicated to Polina Blüthgen and Markus Hoßner (premiere: March 18th 2011, KunstKulturKirche Allerheiligen Frankfurt, Polina Blüthgen - alto flute, Markus Hoßner - bass clarinet) | ca. 7'00'' | audio | video | score

  • Romance for violoncello, strings and piano (2010) - dedicated to Nicor Lengert [c. also for horn, strings and piano or violoncello and accordeon orchestra (premiere: March 22th 2014, Weil am Rhein, Judith Gerster - violoncello, accordeon orchestra Weil am Rhein, Martin Eckerlin)]. Published at Jetelina Musikverlag. | ca. 6'00'' | audio | video | commentary | score

  • Vier Skizzen für Klavier (2010) - (Four sketches for piano) | ca. 4'00''

  • 2 Bagatellen für Klavier (2010) - (2 bagatelles for piano) | ca. 5'00'' (premiere: March 31st, 2017, Kreisgymnasium, Riedlingen/GERMANY, Katharina Brendler - piano)

  • Tango (2010) - for piano and orchestra, commissioned work by Kreisjugendorchesters Offenbach (premiere: October 23th 2010, Kreishaus Dietzenbach, David Kozakiewicz - piano, Kreisjugendorchester Offenbach, Gabriele Wegner) | ca. 16'00''

  • Beute (2010) - (Pray) a music film by Korbinian Vogel, recorded by the symphony orchestra of Dr. Hoch's Conservatory | ca. 6'00''

  • Una Ninnananna (2010) - for double bass and harp (premiere: March 14th 2010, Dr. Hoch's Conservatory, Katrin Triquart - double bass, Nicole Müller - harp) | ca. 4'00''

  • Rumba (2010) - for double bass and harp (premiere: March 14th 2010, Dr. Hoch's Conservatory, Katrin Triquart - double bass, Nicole Müller - harp) | ca. 4'00''

  • Cornell und der Toaster (2009) - (Cornell and the Toaster) a short film by Robert Scheffner, recorded by the symphony orchestra of Dr. Hoch's Conservatory | ca. 5'00''

  • Die deutsche Nationalhymne, gespielt von einem Streichquartett, das mit 175 km/h an uns vorbeifährt (2009) - (The german national anthem played by a string quartet, which drives past us at the speed of 175 km/h) based on Joseph Haydn’s Hob XXVIa:43 | ca. 3'00''

  • Concert piece for clarinet and orchestra (2008/2009) | ca. 6'00''

  • Viola quartet (2009) - for four violas (premiere: 2010/14, Dr. Hoch's Conservatory, different) | ca. 16'00'' | audio

  • Rumba (2008) - for large orchestra | ca. 6'00''

  • Quintet (2006) - for flute, clarinet, bass clarinet, piano and double bass | ca. 4'00''

Arrangements

Selection:

  • Socrate by Erik Satie - (parts created; also arranged without harp) for voice and small orchestra (2023) | ca. 30'00''

  • Caprice Jazz by Jack Say (Jacques Ysaye) – (commissioned by Professor Laurent Albrecht-Breuninger) for violin and (jazz)orchestra (2023) | ca. 10'00''

  • Kreutzer-Sonata by Leoš Janáček – (commissioned by the Pacific Quintet) for wind quintet (Fl/Ob/Clar/Hrn/Bsn) (2022) | ca. 20'00'' | score

  • Disney-Medley – (Musik from Hercules, The Little Mermaid, The Jungle Book, Frozen, and Aladdin) for two flutes and piano (2022) (dedicated to Meike and Eric Wagner) | ca. 7'30''

  • Lobet den Herren alle, die ihn ehren by Johann Crüger – for string quartet (2020) | ca. 1'00''

  • Geh aus, mein Herz, und suche Freud by Augustin Harder – for string quartet (2020) | ca. 1'00''

  • Larghetto from the organ concerto in F Major "No. 13" by Georg Friedrich Händel – for organ solo (2017) | ca. 3'00''

  • À Chloris by Reynaldo Hahn – for accordion-orchestra – optional with solo part (2017) (premiere: December 1st, 2018, Iris Schwarzenberger, Akkordeon-Orchester Frankfurter Berg, Rainer Bittner) (published by Musikverlag JETELINA) | ca. 3'00'' - 4'00'' | commentary | score

  • Sonata No. 5 in e-minor "RV 40" by Antonio Vivaldi – for violoncello solo, strings and basso continuo (2016) | ca. 10'00'' | score

  • I. Allegro moderato from the Sonata for bassoon and piano "Op. 168" by Camille Saint-Saëns – for viola and harp (2015) (premiere: July 3rd, 2017, Velte-Saal/HfM, Karlsruhe/GERMANY, Caroline Lübbe, viola, Madita Mettler, harp) | ca. 3'30'' | score

  • Abendlied "Op. 69, No. 3" by Josef Gabriel Rheinberger – for brass quintet (2015) | 3'00'' | score

  • Crucifixus by Antonio Lotti – for four violas (2014) | ca. 4'00''

  • Kyrie from "Petite Messe Solennelle" by Gioachino Rossini – for four violas and piano (2014) | ca. 4'00''

  • Elegie from "6 pieces for violin and organ, Op. 150" by Josef Gabriel Rheinberger – for viola and organ (2013) | ca. 5'00'' | score

  • Whatever by Oasis – for female choir, guitar, piano and drums (2 violoncelli and e-bass, ad libitum) (2013), (premiere: November 2013) | ca. 3'00'' | score

  • The Brisk Young Sailor von Percy Grainger – for soprano, tenor, small choir, choir, organ, bass clarinet, double bass and percussion (2011), (premiere: June 3rd 2011, Dr, Hoch's Conservatory) | ca. 3'10'' | video

  • Horkstow Grange von Percy Grainger – for bass, choir, organ, bass clarinet, double bass and percussion (2011), (premiere: June 3rd 2011, Dr. Hoch's Conservatory) | ca. 2'20'' | video

  • Children's March von Percy Grainger – for bass, choir, organ, bass clarinet, double bass and percussion (2011), (premiere: June 3rd 2011, Dr. Hoch's Conservatory) | ca. 2'40'' | video

  • Beatles-Medley by the Beatles – for string quartet (2010), (premiere: February 27th 2010, Bürgerhaus Mörlenbach) (c. also for flute and string trio (premiere: February 7th 2015, Gaschurn/Austria)) | ca. 16'00''
    | score

n.A. = nach Auftrag

Moritz Laßmann © 2024 • impressum

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